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The Crusade For Color Photography
NPR (blog) - Feb 24, 2010
A few small color exhibitions appeared in the early 70s, but the real departure came in 1976, when William Eggleston showed his color work at the Museum of ... Not All Big Name Photography Has a Big Price
Huffington Post (blog) - Mar 18, 2010
1954) nor William Eggleston (b. 1939), both groundbreaking photographers of the postwar era, do any of their own printing, which has no effect on the prices ...

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William Eggleston books

William Eggleston's Guide

by: John Szarkowski
This is it, The Guide, the one book to... well, at least for fans of color photography this new edition of Eggleston's Guide is like a gift to those who were not around to but it when it originally came out and for those who could not afford a 1st edition copy. This is actually better in that the negatives were re-scanned using today's technology and printed better and according to Eggleston's desires. A must-have.
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William Eggleston: Democratic Camera, Photographs and Video, 1961-2008 (Whitney Museum of American Art)

by: Ms. Elisabeth Sussman, Thomas Weski
This is sort of a general reader or introduction to William Eggleston's photography meant to accompany the retrospective exhibition. Hopefully seeing some of the images in here will wet your appetite to look further into his work and pick up some of his classic books like Eggleston's Guide. None of the images from Paris are in here.
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William Eggleston, 2 1/4

by: William Eggleston
I'll make this short. This is a beautiful book, with a major exception. The basic features/layout of the book: the traditional left-page blank, right-page image that most photo books have, no page numbers, captions, or image titles on any of the pages. The binding is first-rate, the fabric cover is lovely, the first and last pages of the book are protective heavy paper fabric. The pages of the book are heavy and rough. There is no dust jacket. The book arrives shrink-wrapped to keep it clean.
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William Eggleston: Paris

Frankly, I'm struggling with the photographs in this book. I feel that previous works like "William Eggleston's Guide" and "2 1/4" are superior to this offering. I have yet to order or view "Los Alamos" or "Democratic Camera". The photographs in this book seem to me a degeneration of Eggleston. Indeed, a casual observer looking at anything Eggleston has ever produced will immediately dismiss his work as mere snapshots. Now imagine having to look through "Paris". The composition of the photographs seem random and in quite a few cases I have to ask myself "What am I looking at?".
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