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CONTRADICTIONS in BLACK and WHITE Actuphoto.com, France - Nov 11, 2008 HASTED HUNT is pleased to announce "CONTRADICTIONS in BLACK and WHITE: Photographs by Margaret Bourke-White, Harry Callahan, Michael Flomen, Adam Fuss, ...

Google's SearchWiki Lets Users Customize Search Results TMCnet - Nov 21, 2008 ... have been displayed to the public, including works from photographers Alfred Eisenstaedt, Margaret Bourke-White, Gordon Parks, and W. Eugene Smith. ...

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Margaret Bourke-White books

Margaret Bourke White

by: Susan Goldman Rubin
I didn't know who Margaret Bourke-White was until I received this book as a gift. I have always been interested in photography but never considered it as a career until I read this book. The photos that are in the book are very inspirational. Reading about her life and what she went through to make her dream come true was very interesting. I have had this book for two years and still enjoy looking through her photos.

Margaret Bourke-White: The Photography of Design, 1927-1936

by: Stephen Bennett Phillips
Margaret Bourke-White is best known as the first staff photographer of Fortune magazine, the first female war correspondent, and the woman whose photographs made the covers of Life magazine famous. But before she began traveling throughout the world to document history in the making, Bourke-White was creating evocative abstract photographs of American industry and architecture. Margaret Bourke-White: Photography of Design, 1927-1936 examines for the first time the works produced during this preeminent photographer's critical early years.

Margaret Bourke-White: A Photographer's Life (Lerner Biographies)

by: Emily Keller
Profiles the life of the photojournalist who was an original staff photographer for "Life" magazine and a war correspondent during World War II.

Margaret Bourke-white: The Early Work, 1922-1930 (Pocket Paragon Series)

by: Ronald E. Ostman; Harry Littell; Margaret Bourke-White
Margaret Bourke-White was a leading photojournalist whose work for Fortune, among others, celebrated the machine age and whose later work for Life featured more of an interest in humanitarian concerns. MARGARET BOURKE-WHITE: THE EARLY WORK, 1992-1930 provides a new gathering with a focus on her earliest work, when she was an amateur. Her first photos were still lifes and images more characteristic of her times rather than her talents: one can see the transitions to her personal style in the photos made from 1928-30, and it's also notable that the some eighty photos reproduced here have seldom been seen outside their archives.

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