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New York: Photography ARTINFO, NY - Dec 1, 2008 Hiroshi Sugimoto’s black-and-white print Seascapes, 1987–93 (est. $100–150000), was the only lot to exceed $100000, fetching $110500. ...

Kendall Messick and Hiroshi Sugimoto Washington City Paper, DC - Nov 13, 2008 One of Messick’s photos, Homage to Sugimoto, echoes the other half of the exhibit, a collection of Hiroshi Sugimoto’s photographs of glowing white movie ...

Hiroshi Sugimoto top offers on eBay

Hiroshi Sugimoto books

Joe

by: Jonathan Safran Foer
This is a beautiful photo book in the large format it deserves to be in. The pages are superb and the text moving. I bought this as a gift and I can only imagine the look of joy on the recipient's face when I give it to them. A must have for photography lovers or admirers of Jonathon Safran Foer.

Hiroshi Sugimoto: Architecture

by: Marco de Michelis, Robert Fitzpatrick
Excelente libro reuniendo un trabajo impecable de Sugimoto.
Los textos que acompañan este trabajo son realmente muy buenos también.
Edición de calidad insuperable.

Hiroshi Sugimoto

by: Kerry Brougher, David Elliott
If you have never seen Sugimoto's work and you have an interest in conceptual art and photography, you are in for a treat. As he says, his work is all about time and what better way to show time than through a photograph. Beautifully produced, this book hints at the depth of the original large format images that can now be seen at a retrospective at San Francisco's de Young museum.

The book begins with his portraits in a wax museum and dioramas from New York's Museum of Natural History.

Sugimoto

by: Hiroshi Sugimoto, Thomas Kellein
I was first introduced to Sugimoto about five years ago when I saw his Theatre series at the Metropolitan Museum of Art in New York City. His photos captured a kind of ghostly emptiness - white screens framed by the darkened outlines of seats. To capture the exposures he would leave the camera shutter open at a low aperture for an entire sitting of a film. I was really impressed at how he could transform two hours of motion into one eerily still exposure.

This new series of seascapes does not disappoint.

Hiroshi Sugimoto photo links